As has now become my custom, this is my year in culture in review post. I’m posting it super early because I know I won’t get to read or watch stuff in the next month as I become a holiday wraith. (If you’re curious, I also wrote lists in 2017 and 2016.)
Below are things I listened to, read, or watched this year. Most were released in the last year to two years, though a few are oldies that I only just discovered. I tried to err on the side of more obscure selections, though a few popular choices slipped through. I make no pretense that this list represents the year’s “best” entertainment; it’s merely the culture I enjoyed the most in 2018.
- “Movement,” Hozier: it takes a few views to hear anything given the, um, visuals, but once you’re able to listen, the song itself is soulful, deeply felt, and dead sexy. Here’s to the full album next year!
- “Space Cowboy,” Kacey Musgraves: the title is a pun and it’s the perfect song for Dean and Vivy from Free Fall. But seriously, the entire album is gorgeous, grown up, and an absolute delight.
- John Field, Complete Nocturnes, Elizabeth Joy Roe: I’m still years from being able to play nocturnes, but when I get there, I’ll start with Field. And maybe in a decade or two I’ll be able to pretend to play this well. It’s a lovely collection, made more special in that you don’t know it the way you do Chopin.
- “Redbone,” Childish Gambino: so I found “This is America” to be a bit glib (I know), but when it was everywhere, I dug into Gambino’s backlist and fell hard for “Redbone.” That Donald Glover has it going on.
- “Pristine,” Snail Mail: I almost, almost saw Snail Mail live this summer, and if I had, I would have properly been able to brag I knew about them first. I’ll have to settle for this instead: I love Lindsey Jordan’s voice and lyrics and I bet you will too.