Tag: Best of

It’s the most wonderful time of the year, the moment just before we flip the calendar page when we can take stock and separate the good from the bad and the ugly. Here’s what I would keep from my media consumption this year , what I suspect I’ll reread, relisten to, and rewatch in the years to come.

As is typical, most of these things are recent releases, but a few oldies snuck it. Tell me what I should fill the gaps with in the comments; and if you need more content from me, see my best of lists from 2018, 2017, and 2016.

Continue reading “Things I Really Liked in 2019”

As has now become my custom, this is my year in culture in review post. I’m posting it super early because I know I won’t get to read or watch stuff in the next month as I become a holiday wraith. (If you’re curious, I also wrote lists in 2017 and 2016.)

Below are things I listened to, read, or watched this year. Most were released in the last year to two years, though a few are oldies that I only just discovered. I tried to err on the side of more obscure selections, though a few popular choices slipped through. I make no pretense that this list represents the year’s “best” entertainment; it’s merely the culture I enjoyed the most in 2018.

Music:

• “Movement,” Hozier: it takes a few views to hear anything given the, um, visuals, but once you’re able to listen, the song itself is soulful, deeply felt, and dead sexy. Here’s to the full album next year!
• “Space Cowboy,” Kacey Musgraves: the title is a pun and it’s the perfect song for Dean and Vivy from Free Fall. But seriously, the entire album is gorgeous, grown up, and an absolute delight.
• John Field, Complete Nocturnes, Elizabeth Joy Roe: I’m still years from being able to play nocturnes, but when I get there, I’ll start with Field. And maybe in a decade or two I’ll be able to pretend to play this well. It’s a lovely collection, made more special in that you don’t know it the way you do Chopin.
• “Redbone,” Childish Gambino: so I found “This is America” to be a bit glib (I know), but when it was everywhere, I dug into Gambino’s backlist and fell hard for “Redbone.” That Donald Glover has it going on.
• “Pristine,” Snail Mail: I almost, almost saw Snail Mail live this summer, and if I had, I would have properly been able to brag I knew about them first. I’ll have to settle for this instead: I love Lindsey Jordan’s voice and lyrics and I bet you will too.

Continue reading “Things I Really Liked in 2018”

In the vein of this post from last year, here’s a list of things I really liked in 2017.

Music/Podcasts:

• Natasha, Pierre, & the Great Comet of 1812, Broadway Soundtrack: while this show was on Broadway in 2016 and has since closed, I became obsessed with the soundtrack in 2017. Denee Benton’s voice is extraordinary and vulnerable, and the rest is a delightful mash up. Look for Russian themes in my upcoming work. /waggles eyebrows/
• DAMN., Kendrick Lamar: timely, brilliant, and on constant rotation in my car.
• Turn Out the Lights, Julien Baker: full disclosure, I didn’t love it quite as much as Sprained Ankle, but I can’t stop listening to it and “Appointments” is probably my song of the year.
• Melodrama, Lorde: I didn’t like “Green Light” on the radio, but the album is an album, and much more than the sum of its parts. Perfect for writing heartbreak.
• LA Divine, Cold War Kids: what do you know, people still write rock songs. The Bishop Briggs cameo is a highlight; she’s going to break out soon.
• There Is No Love in Fluorescent Light, Stars: after a few subpar albums, Stars is back, and I loved every minute.
• Slow Burn, Leon Neyfakh/Slate: this podcast about Watergate has given me a plot bunny so large, it’s like a plot hare.

Continue reading “Things I Really Liked in 2017”

Poor 2016, so maligned, so deeply sad. A prelude to tragedy, perhaps. But–in an utterly selfish way–it was a decent reading/listening/viewing year for me. I don’t write proper reviews on the blog. It feels a bit weird. I have strong opinions, and I often share these on social media and in real life, but if I’m not willing to be critical, then it feels wrong to write formal squee! reviews. So this isn’t that, it’s just a list of things I really liked.

Some of these are late 2015 releases that I didn’t consume until 2016, but most are from this year. I tried to stick with things that were, in my opinion, under-buzzed; things that, in other words, you may not have heard of. A few big books/movies/etc. slipped in anyhow. Cheers, and tell me yours (or link!) in the comments!

Continue reading “Things I Really Liked in 2016”