The awesome folks at Love in Panels have put together a massive auction of signed books, services, swag, and just cool experiences in support of RAICES and The Young Center. From now until September 21, 2019, you can head on over to the auction, make a bid, and, if you win, you make a donation in that amount to RAICES or The Young Center, and the person offering the prize sends it to you.
Included in the lot of almost 200 amazing things, I’m offering a set of signed paper copies of Star Dust, Earth Bound, and Round Midnight–and I’d love to send them to you–yes, YOU. So get clicking and start bidding!
I wrote two guest posts commemorating the Apollo 11 anniversary. Over at Smart Bitches Trashy Books, I tried to reason out the romance of the moon, and at Frolic, I rated the romances in astronaut movies.
Please read, comment on, and share these essays, and if you haven’t picked up the Fly Me to the Moon box set, it’s still just 99 cents. Grab it at Amazon, iBooks, B&N, Kobo, and Google Play.
If you’re here because you read one of those pieces, welcome. If you’re thinking about trying the Fly Me to the Moon series, I hope you do. The fan favorites seem to be Earth Bound (which is in the set) and Free Fall.
And finally, I owe you a Jell-O mold. I made one on the Fourth of July that I intended to run in celebration of A Midnight Spark, but it was an utter disaster. It was even worse than the phallic lobster, which was at least funny. This was just a misshapen lumpy mess.
The concept for this new, and far better, Jell-O came from Liz Lincoln who posted a cola-cherry-cream cheese Jell-O recipe on Twitter; it was similar to this one except the cream cheese was actually in the mold. And, y’all, I just couldn’t bring myself to put cream cheese into Jell-O. It’s what holds me back from embracing the retro, in the end. Basic food decency.
I did like the idea of cherry cola Jell-O, so I played around with what I had in my kitchen. The results were delicious; it’s probably the yummiest Jell-O I’ve ever made. The recipe is after the fold. It’s the perfect thing to eat while pondering the historic significance of Neil Armstrong’s stroll on the moon.
Continue reading “Apollo 11 Anniversary Round-Up + Jell-O”
Today marks the start of the 50th anniversary of the Apollo 11 mission. On July 16, 1969, the crew blasted off from Florida on an eight-day mission to the moon and back.
To celebrate, Genevieve and I have put the Fly Me to the Moon box set on sale. Until July 24, this collection of three complete retro romances (almost 170,000 words) can be yours for just 99 cents. It includes Star Dust, Earth Bound, and A Midnight Clear and is perfect for all your lunar landing nostalgia reading.
I’ll have a couple of commemorative guest posts on other blogs this week, and I’ll drop links here when they appear. But in the meantime, grab your copy of the boxed set now before this deal goes away. It’s available at Amazon, iBooks, B&N, Kobo, and Google Play.
If you’re not on the Fly Me to the Moon mailing list, you missed an important announcement: Genevieve and I will be serializing a summer-themed novella called A Midnight Spark there starting tomorrow! It features a silver fox rancher, a woman with a weakness for strays, an injured hummingbird, and enough fireworks to rival the US Capitol’s display.
While we’ll eventually package this story with A Midnight Feast and re-release it to retailers, for the moment the only way to get A Midnight Spark–and the only way to get it for free–is to subscribe to our mailing list. So get on that!
In retrospect, it’s not surprising that Georges Melies’ A Trip to the Moon (1902) is the first science fiction film. After all, the sky is the original cinematic experience: the lights go up and come down; the moon and constellations change; the colors shift, fade, and intensify; and the weather provides drama and tension. Staring at the sky in night or day is an emotional, humanizing experience. It emphasizes how small you are in the face of the universe. Thus it only makes sense that one of the first subjects for narrative cinema would be the desire to explore what’s up there.
(Digression: I, like most babies of the 80s and 90s, came to know Melies’ work because of the Smashing Pumpkin’s video for “Tonight, Tonight,” which remains most excellent.)
What I want to think about today, though, isn’t films such as A Trip to the Moon, 2001: A Space Odyssey, Star Wars, Contact, or Armageddon, which concern themselves with space in an entirely imaginative or fictional way, but instead with those that attempt to tell the “true” story of human space exploration.
For the sake of conciseness, I’m going to limit myself to The Right Stuff (1983), Apollo 13 (1995), The Dish (2000)*, The Astronaut Wives Club (2015)**, Hidden Figures (2016), First Man (2018)*, and Apollo 11 (2019)**, arguing that while these films are about humans leaving earth, neither the films nor the history they represent successfully abandon earth’s baggage, specifically gender and race.
Continue reading “Space on Screen”
This is neither Friday nor is the film in question precisely a romance, but today’s subject is Damien Chazelle’s First Man (2018). I’ve wanted to watch it for months, and I finally had a few free hours to snag it from Redbox.
In the gap between its release and when I managed to see it, First Man received a critical reaction I’d characterize as positive but reserved and “only” four Academy Award nominations. So I went into it a bit apprehensive. If you enjoy what Genevieve Turner and I are doing with Fly Me to the Moon, however, I can almost guarantee you’ll adore First Man. While I have a few complaints, it’s visually stunning and a different take on the astronaut movie subgenre.
Continue reading “A Fine Romance Friday: First Man”
So if you’ve been thinking, “I’d like to hear Emma’s disembodied voice,” you’re in luck: I recently chatted with the lovely ladies at the Wicked Wallflowers Club about Earth Bound, Free Fall, how I spent years not writing my dissertation, politics, and phallic lobster Jell-O. Basically all the normal stuff.
You can listen to it here. But FYI, some of the language probably isn’t safe for work.