So if you’ve been thinking, “I’d like to hear Emma’s disembodied voice,” you’re in luck: I recently chatted with the lovely ladies at the Wicked Wallflowers Club about Earth Bound, Free Fall, how I spent years not writing my dissertation, politics, and phallic lobster Jell-O. Basically all the normal stuff.
You can listen to it here. But FYI, some of the language probably isn’t safe for work.
If you’re a Fly Me to the Moon fan and you’ve been waiting for the right moment to introduce your friends to the series, July 31 is the day. That’s when Genevieve and I will release a box set with Star Dust, Earth Bound, and A Midnight Clear plus bonus content aimed at book clubs. And the best part? It’s just 99 cents to preorder. This is the first time Earth Bound has ever been discounted. The price for the set will go up to $4.99 after release week–so click fast!
You can get the Fly Me to the Moon box set at Amazon, iBooks, B&N, Kobo, and Google Play. The full blurb is after the break.
And I also wanted to mention that if you’re a reviewer, you can request a Free Fall ARC via this form. I’ll start sending them out today.
Continue reading “Box Set Preorder & Free Fall ARCs”
Genevieve and I are thrilled to announce the firm release date for Free Fall: July 31, 2018. It’s up for preorder at Amazon, iBooks, B&N, and Kobo (Google Play coming soon!), plus you can add it your Goodreads shelves and check out the book’s Pinterest board. In addition to the e-book, it will be in print on approximately release day.
Free Fall is the funniest book in the Fly Me to the Moon series, but it’s also angsty and deeply emotional. It’s focused on the marriage of convenience between two very unlike people: a laconic astronaut and a vivacious sorority girl who find themselves with a baby on the way and the first American space walk mission to survive. There’s drama with the space suit design, bridge parties with astronaut wives, a hard-fought squash game, and furniture. Lots of furniture.
Genevieve and I started writing it almost two years ago and then, well, the world fell apart. It took us a long time to get back to a manuscript that felt, tonally, alien. But please keep in mind that we named Vivy Muller in October 2016.
I love this book, and I’m so excited for it to be out in the world. We also have a surprise–it’ll drop around the same time as Free Fall’s release–which I’m psyched about. Stay tuned!
On social media and over email, I’ve fielded several questions about what someone should read to learn more about the space race. While writing the Fly Me to the Moon series, I’ve inhaled dozes and dozens of space histories. So for prosperity’s sake, here’s what I recommend.
A few caveats: my list is focused on the period between Sputnik and Apollo 11 (or 1957 to 1969) and on US/Soviet crewed space flight. If you’re interested in rocketry, for example, that would be a whole other list and it would start a lot sooner.
Also, I’m not a scientist or engineer. So while I’m interested in the history of technology, I prefer books pitched to a general audience.
I do have a PhD in American studies, so my bias is for new history that is intersectional, considers the economic and social factors that create institutions, and includes marginalized voices.
Continue reading “Recommendation Club: Space Race History”
(This is a follow up about Star Crossed; you can read our first statement here.)
In the summer of 2014 when we started plotting the Fly Me to the Moon series, we penciled in a female/female romance about a would-be astronaut and a woman at the American Space Department. Much of the fiction and non-fiction about the space race is very masculine, very white, and very straight, and we didn’t want our fictional universe to replicate those exclusionary narratives. As we drafted the series and this specific story, we came to love to our heroines, Bev and Geri.
The day after releasing Star Crossed, we pulled the book because reviewers pointed out we’d deracinated Bev, who is African American, and given more weight to harassment and discrimination based on gender or sexual orientation than that based on race.
That wasn’t our intent, but intent isn’t enough. We spent eight months talking about and trying to revise Star Crossed, and while we made some progress, we have decided this isn’t our story to tell. We can fix the craft issues, but we can’t shake the feeling that for us to tell this story is narrative appropriation. We therefore have no plans to rerelease the book.
Continue reading “Second Statement re: Star Crossed”
If you’re on our mailing list, you’ve already seen these (and if not, sign up here!), but here are the covers for Free Fall and A Midnight Feast. The blurbs are after the break along with some FAQs.
Continue reading “Covers, Blurbs, and Fly Me to the Moon Series Questions”
Here are a few things I believe:
1) Representation in art matters. It’s important to see people in books who look like you. It’s important to see people in books who are nothing like you. It’s important to see people in books who are superficially like you but different on the inside. It’s important to see people in books who are different from you externally whose emotional journeys are like yours. And everything in between.
2) But diversity of representation isn’t enough: the quality of the representation matters. Throwing one woman into a superhero ensemble—especially if she doesn’t have a rich inner life, complex motivations, and so on—doesn’t actually solve the problem. And the arbiters of the representation have to be the people within the community.
3) Certain voices have historically had an easier time making themselves heard. In a Western context, straight male white middle- and upper-class voices dominate the conversation. Even today, publishing largely magnifies those same voices, probably because many editors, agents, and publishers fit into that demographic. Even in romancelandia where women play most of the roles, the white straight middle-class voices tend to be the loudest ones.
4) This doesn’t mean you can’t write an experience that isn’t yours, but it means you have to do it carefully. Start by listening. Read lots and lots of #ownvoices books first. And if you face criticism, don’t get defensive. Apologize and fix it.
5) Writers shouldn’t respond to reviews both because of the power imbalance between reviewers and writers (the latter having more power) and because when you make a book commercially available, accept that reviewers have a right to respond to it however and wherever they want to. The review isn’t for the author; it’s for other readers.
6) Criticism is good and healthy. Debate within a community is a sign of growth.
Into this comes Star Crossed, a book I wrote with my friend Genevieve Turner about two women (one of them African-American) falling in love at a fictional version of NASA in 1964.
Continue reading “Statement re: Star Crossed”