A Fine Romance Friday: Hysteria

I truly don’t understand why Hollywood has turned away from the romance–and why they never adapt romance novels to the big screen. Even when today’s filmmakers manage to produce a decent movie with a love story in it, such specimens all too often fly under the radar, waiting to be discovered on cable and streaming video services. Today’s selection is just such a film: Tanya Wexler’s 2012 historical romance Hysteria, starring Maggie Gyllenhaal, Hugh Dancy, Jonathan Pryce, Felicity Jones, and Rupert Everett.

Our plot is thus: in the late Victorian period, the young doctor Mortimer Granville (Dancy) had been challenging outdated and inhumane practices in London hospitals, and he now finds himself unemployed. He takes a job with the older Dr. Dalrymple (Pryce) who treats hysteria in upper class women via, um, manual stimulation. The two develop a thriving practice, Granville becomes engaged to his partner’s young, biddable daughter (Jones). But he also repeatedly clashes with Dalrymple’s other daughter (Gyllenhaal), a suffragette who spends her days doing charity work in the East End of London and saying provocative things to every members of the upper crust she comes in contact with. Everything is good until Granville develops carpal tunnel syndrome, but his listless inventor friend (Everett) then invents a mechanical device to achieve the same effect. (Essentially an early vibrator.) It’s feminist fantasy history with bon mots tossed in.

Much like Beyond the Lights (which I recommended here!), Hysteria is a romance novel come to the screen. It’s witty and sweet, and the final romantic resolution is believable. While I sometimes found it to be a bit snigger-y (is that a word?) and while the film is far more prudish than it wants or needs to be given the subject matter, it’s a very enjoyable way to spend an evening.

The Everlasting Yea

As of this weekend, I have finished a book. On my own. As in it’s done and I don’t hate it.

IMG_20160717_125419

This was one of those things I had started to suspect would never happen again until it did.

Bear with me while I speak purposefully obtusely: for two years in my professional life (both with writing and my day job), I’ve heard no a lot. A lot a lot. To the point where it had begun to feel like all the doors weren’t merely closed, but locked.

I have no evidence the doors will open now, but finishing a book feels like scoring a point back from what Thomas Carlyle calls the everlasting nay (everyone’s read Sartor Resartus, right?); it feels like I’ve finally moved back toward the everlasting yea:

Oh, thank thy Destiny for these; thankfully bear what yet remain: thou hadst need of them; the Self in thee needed to be annihilated. By benignant fever-paroxysms is Life rooting out the deep-seated chronic Disease, and triumphs over Death. On the roaring billows of Time, thou art not engulfed, but borne aloft into the azure of Eternity. …This is the EVERLASTING YEA, wherein all contradiction is solved: wherein whoso walks and works, it is well with him.

Romance is a genre that’s about the everlasting yea. And writing words, even when it feels small, is always optimistic, always hopeful. The world can use some positivity right now. We all need more yes.

PS I wrote the last 20K words of the book while listening to Julien Baker’s amazing album Sprained Ankle on repeat, specifically the track “Something.” If you like progressive folk/indie rock, give it a spin. The songs are sad, but lovely and insightful. I highly recommend it.

PPS Genevieve and I are going to send another newsletter on Wednesday that includes one of my all-time favorite deleted scenes. (Seriously, cutting it out of Earth Bound made me gnash my teeth.) If you aren’t on our mailing list, get on it!

PPPS Carina Press is running a 30% sale on all the books at their site, which includes The Easy Part series (my DC-set political romances). The deal is good through July 31; use the code RWA3016 when you check out. My Carina books rarely if ever go on sale, so if you’ve been waiting, get ’em now for less.

Happy Fourth!

IMG_1917

Happy Fourth of July to my American friends and readers! (And happy treason day to everyone else?)

I imagine Millie, Parker, Alyse, Liam, Lydia, and Michael (from The Easy Part) would probably grill and watch their kids play and snark about the election. And all the astronauts, engineers, and other folks from Fly Me to the Moon would cook out at Margie’s and perhaps eat a Jello mold like this one.

If you want to replicate it on your own, I used this Sparking Summer Berry Jello recipe. I omitted the rum and scaled it up for this 10-cup mold which belonged to one of my grandmothers. It did not turn out perfectly, but it’s certainly festive and dramatic.

I’m in my writing cave at the moment, but I’ll be back soon with new words. Happy summer!

Behind a Mask Discussion

picture of books on shelves, including several titles by the Brontes and Jane Austen

Following up on our earlier plan, the pseudo-romance book club held our discussion of Louisa May Alcott’s Behind a Mask (1866) last night. You can relive the entire thing on Twitter via the #MuirFTW hashtag, but here are some (spoilery!) highlights:

Continue reading “Behind a Mask Discussion”

A Fine Romance Friday: Down with Love

“Why, dear Emma, do you write mid-century romance, a subgenre which isn’t really a subgenre?”

“Well, gentle reader, the answer is simple: Down with Love.”

That’s right, this week’s fine romance Friday is Peyton Reed’s rom-com Down with Love (2003), which if you don’t know, stars Renee Zellweger and Ewan McGregor.

To talk about the plot of this movie is almost to the miss the point, but to blurb it briefly: Ewan McGregor is Catcher Block, “a man’s man, ladies man, man about town” who writes for KNOW Magazine (basically GQ). His newest assignment: write a tell-all about Barbara Novak (Ms. Zellweger), whose bestseller Down with Love is setting off a feminist revolution. He blows her off, then she insults him on TV, he becomes intrigued by her and pretends to be an yokel astronaut in order to seduce her and reveal to the world that she’s a–no, not that!–fraud. Except of course none of this works out. Hijinks ensue. And roll tape.

Look, you’re either intrigued by this set-up or you’re not. And I wouldn’t blame you if you want to run away screaming; this movie probably isn’t most people’s cup of tea. Except here’s the thing: I grew up watching way too much AMC, but back in the early 90s when AMC actually played classic movies. (Remember that?) And among those films were That Touch of MinkSend Me No Flowers, Lover Come Back, and most of all Pillow Talk.

Continue reading “A Fine Romance Friday: Down with Love”

Pseudo-Romance Book Club: Behind a Mask

alcott.jpg

Following up on our discussion of The Odd Women, we’re going to tackle Louisa May Alcott’s Behind a Mask (1866). (Yes, I also own two paper copies of it.) Behind a Mask is a novella of about 40K words or a 100ish pages, which Alcott published under the pseudonym A.M. Barnard. It’s essentially a feminist retelling of Jane Eyre, but I don’t want to say much more because you don’t want to read any spoilers. Trust me: it’s tremendous fun.

I can’t find as many e-editions, but it is free at Amazon, iBooks, and Kobo (I can’t find free editions at B&N or Google Play). But fear not! At Project Gutenberg, you can download a range of file formats and then side-load them onto your device. If you want to add it on Goodreads, you can do so here.

Because it’s short, I think we can get away with a single discussion though I wouldn’t be surprised if it runs more than an hour. I propose Monday, June 27, at 9 P.M. EST. I’m not good at pithy hashtags; leave a comment if you can come up with anything good. I’ll see you then!

ETA: Just a note to say “retelling of Jane Eyre” is probably too strong. Alcott has clearly read Jane Eyre, and I feel like Behind a Mask is concerned with that book’s problem: how does a woman who is “poor, obscure, plain and little” make her way in the world? Both Jean and Jane are governesses, they both have multiple suitors, and some other scenarios occur in both. But Jean ain’t Jane, and thus her story has a different ending. I can’t wait to talk about it with you in June.

A Fine Romance Friday: The Dish

Last night, I tweeted a bunch of funny, sexist, offensive, and odd nuggets from Gen’s and my research for the Fly Me to the Moon books. I Storify-ed the entire thing here in case you missed it.

On to today’s movie recommendation: The Dish, a 2000 drama directed by Rob Sitch starring Sam Neill and Patrick Warburton.

Before we get into the plot, I must warn you that this is not technically a romance.  Which is to say that there is a very small, though very sweet, romance subplot. But since my conceit with these posts is fine romances, the real romance here is with humans and the moon. What’s on that big rock in the sky? Can we get there? And what will we risk to share human exploration with the world? (And yes, I’m trying to tie it into my promo this week. Just roll with it.)

The Dish begins a few days prior to the July 1969 lunar landing. It’s set in Parkes, Australia, home to the largest satellite dish in the world. Parkes is one of the sites that’s going to help transmit the images from the moon to television sets everywhere.

The Dish is an ensemble piece, flitting from story to story: the bumbling mayor, with his devoted wife and his would-be radical daughter; the nerdy engineers and technicians who work at the dish who chafe under the oversight of the incredibly uptight engineer sent from NASA to oversee their work; and everyone else in town who can’t believe a man is going to walk on the moon and they are kind of, sort of adjacent to history.

The plot isn’t any more complicated than that. Things go wrong, and they fix them. History is achieved, and the pictures transmitted. It’s based on real events, although one major plot development is invented and I’m sure much of the rest is heavily fictionalized. But the charm of it comes in things that I can’t summarize for you: quiet conversations between friends, a fabulous late 60s soundtrack and perfect costumes, and this amazing thing that, almost 50 years later, it’s stunning that humans achieved. This isn’t an earth-shattering movie, but it’ll make you smile.

For this week’s fine romance Friday, cook up some lamb and watch The Dish.

Earth Bound Release Day (and Champagne Jello!)

It’s finally here! Charlie and Parsons have finally arrived. This book, y’all, this book. Gen and I wrote the first draft Earth Bound in about six weeks over the winter holidays. Once we started working on it, the words poured out.

It’s a workplace romance about two grumpy, brilliant people who are so smitten, but so bad at feelings. Erin from Binge on Books described it on Twitter as a cross between Mad Men, The Martian, and Pride and Prejudice. It’s dark, but funny. It’s about early computers, but it’s sexy. I just love it, and I hope you will too. (And for anyone who hasn’t read Star Dust or A Midnight Clear, you can start the series with Earth Bound no problem.)

If you’re so inclined, you can purchase Earth Bound in e-book (and print!) at AmazoniBooksB&NGoogle Play, and Kobo. You can also add it to your Goodreads shelves, join series’ the mailing list, or visit the book’s Pinterest board.

How else could I appropriately celebrate a book I adore this much? I’d already made a retro feast for Star Dust. But there was an new frontier: booze-y Jello.

Champagne Jello Close Up

 

Continue reading “Earth Bound Release Day (and Champagne Jello!)”

The Odd Women, Chapters 20 – 31

IMG_20160504_103032

We held our final discussion on George Gissing’s The Odd Women last night. If you’re looking for them, here are my notes on part 1 and part 2. Since I know some people are still reading, I’m going to hide this under the fold. Read on at your own (spoiler) risk!

Continue reading “The Odd Women, Chapters 20 – 31”

Earth Bound: Prologue

black box with the words: "dukes have curricles, bad boys have motorcycles, these guys have big rockets."

We’re only eight days away from the release of Earth Bound, a book of which I am fiercely proud. And to make sure you’re sufficiently excited about it, I’m going to share the prologue with you today.

Continue reading “Earth Bound: Prologue”