Genevieve and I interviewed each other for Binge on Books. A tiny sample:

[E]: I definitely believe writers have core stories or mythologies, and mine is about characters whose plans have failed. My heroines especially tend to be disappointed or reevaluating their professional lives when things get confused by meeting someone. My heroes tend to be gooey inside, even when they present a harder face to the world, and are very, very gone for my heroines. Maybe at some point I’ll feel like I have my life figured out and my core story will shift, but I’m intrigued by imperfect people who are perfect for each other and how that intersects with their professional lives, so I don’t think I can get away from it. …

[G]: I guess the one thing I do that is related to my scientific career is how I develop my books: At some level, I’m just constructing operant chambers for my characters.

You can read the entire thing here.

And this dropped a while ago, but I don’t think I ever posted it on my blog: we chatted with Cobie Daniels for her podcast, which you can listen to here. We talk for about an hour about what we’re watching on TV and how we research and write.

I’ve been writing so many words (SO MANY WORDS) and just being overwhelmed by the rhythm of autumn. But I hope everyone is well!

“How Do You Co-Write?”

I sometimes get questions about the exact mechanics of co-writing. Isn’t writing a book on your own tricky enough? How do you make something sound coherent when two of you are hacking away at it?

If you’re curious, I talked about my co-writing relationship with Genevieve Turner with the lovely Cobie Daniels in this podcast. (Also, Cobie’s debut novel will be out next week! How cool is that?)

Cobie and I talked about where the idea for the Fly Me to the Moon series, the research and co-writing process, the importance of critique partners, the state of historical romance, and Jello. Somewhat ironically, Cobie asked how Gen and I deal with conflict, but in early February when we recorded this, Gen and I hadn’t really hadn’t any conflict. But as we finished and did a first editing pass through Earth Bound, Gen and I finally disagreed about something: whether the possessive form of Parsons should be Parsons’ or Parsons’s. (Please weigh in on this important issue in the comments. And no, I won’t tell you which sides we were both on.)

If you’re looking for all the 60s recipes I made, they’re all here. And since we recorded the podcast, the Earth Bound cover and blurb have been released.

If thirty minutes of my dulcet voice and lucid reasoning isn’t enough of me, I talked to G.G. Andrew about my reading and the best kiss I’ve ever read.