Leaving on a Jet Plane

One of my cat nips is when characters in a book or film debate the meaning of another work of art. Think 500 Days of Summer (2009), in which the narrator tells us that Tom misunderstands the ending of The Graduate (1967), while his love interest, Summer, does not. Or Tiffany Reisz’s The Siren in which Nora and Zach tussle over whether O. Henry’s “The Gift of the Magi” is romantic or terrifying. Or KJ Charles’s A Seditious Affair in which Dominic wrestles with the meaning of several William Blake poems, demonstrating that he’s compatible with Silas and that he’s finally gotten over his first love, Richard.

And any conversation about this kind of intertextuality would likely include When Harry Met Sally (1989). In director Rob Reiner and writer Nora Ephron’s friends to lovers romantic comedy, the titular Harry and Sally constantly jaw about pop culture. From board games to journalists, museums to music, the film’s script bursts with the characters’ opinions about other texts. But the reference that comes up multiple times, and reveals the most about the characters, is Michael Curtiz’s Casablanca (1942).

Seven years ago–how is that possible?–I wrote a brief post about Casablanca, one of the primo romantic dramas of the Hollywood studio era. The love triangle between Rick, the cynical saloon owner; Victor, the idealistic resistance organizer; and Ilsa, the woman torn between them, has been endlessly parsed in our living rooms and our pop culture. But–spoiler alert!–while Ilsa might end up with Victor, when Casablanca pops up in other works, it seems like most people are on Rick’s side.

What does the cultural preference for Rick say about us? While there are some structural reasons why people might find Rick more sympathetic, I think the real issue is that American culture has tended to celebrate the kind of hard, cynical, and even cruel masculinity Rick embodies rather than Victor’s restrained, gentle, and more idealistic mode. So I’d like to suggest, as I did on Twitter yesterday, that Ilsa made the right choice and that Victor would be a better and more supportive partner than Rick.

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Odds and Ends

notrwa

  • There have been lots of lovely pieces and reviews related to the Rogue Desire release. Just a reminder that today is the final day to get it for 99 cents. The price will go up to $2.99 tomorrow. If you need resistance romance in your life, click fast.
  • We are also working on a second volume–Rogue Affair–which will drop November 8. It’s already available for preorder most places. I’m writing my novella now, and I’m giddy about it.
  • The Romance Writers of American national convention begins tomorrow and I won’t be attending (sadly), but led by Olivia Dade, a group of us decided to put on a virtual convention on Twitter. I’ll be doing a quick tweetstorm on Thursday morning about writing betas. You can check out the full schedule on Olivia’s blog here; she’ll be adding to the schedule as we go. I’m super excited!

Against Alpha Heroes

True confession: I don’t love alpha heroes.

Sometimes I do, don’t get me wrong. Like so many before me, I fell in love with romance in guise of one Sebastian Ballister, Marquess of Dain, from Loretta Chase’s Lord of Scoundrels. In my head, Dain looks like Gaston from Disney’s Beauty and the Beast, only unlike that cad, he’s really very smart, which only makes him sexier. Beyond his brains, Dain is arrogant, selfish, and rakish. He behaves utterly irrationally more than infrequently — like the mewling man-child with very serious mommy and daddy issues that he is. I don’t really know how or why the eminently reasonable Jessica Trent put up with him, but such is love.

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