Ten years ago Love, Actually released. I was reminded of this yesterday when I read this article about what we’ve learned from it.
This makes me feel old. I was in college at the time and I saw it in theaters, though fairly late in the game because I’m really distrustful of movies with too many major stars and in 2003, it would have been difficult to cram more famous British actors into a single film than Love, Actually did. (Remember, most of the Harry Potter films hadn’t released yet.) I only relented when everyone I knew saw it and insisted it was terrific.
In the intervening decade, Love, Actually has entered the canon not just of romantic comedies, but also of holiday movies. It’s a staple on American TV in November and December. It’s the kind movie I can use as an example in class with confidence that most of my students will have seen it. It’s also this week’s fine romance selection–the first one since August!
Above the fold, I’m going to do a typical fine romance Friday rah-rah-rah post. But I have really complicated feelings about the movie, so if you want to see my spoiler-y, critical commentary, follow me below the fold.
Love, Actually is definitely one of the best romantic comedies of the last twenty years. It’s set in contemporary London and concerns inter-connected characters and stories playing out over the six weeks leading up to Christmas. There are happy stories and sad stories. New love and old love. Romantic love, platonic love, and familial love. It’s sweet and charming and delightful.
Though the background is Christmas-y, it’s a largely secular film and one that’s designed to make you feel good without feeling used. (Though after I took the narrative apart as I’ll demonstrate below, I did feel a bit manipulated.)
I’ll be watching it tonight with something red and festive and trying to find some holiday spirit.

