I haven’t written a rambling, pretentious blog post in a while, and I have about 850 other things I should be doing, so…yeah.
I’ve been thinking about why I seem to have written so many romances that intimately describe the work of the characters, whether it’s how they negotiate the federal budget in Special Interests, how Anne-Marie made airline reservation in 1962 in Star Dust, or how Lydia prepares her boss for a presidential debate in Party Lines. (And if you like this sort of thing, don’t worry, there’s gobs of work stuff in Earth Bound.)
My initial thought is it might be related to the American notion of identity, which I’ve written about a bit before. For a modern USian, who we are is intimately tied to how we–or our family members–generate income. (I’m just southern enough to have heard young women say to each other at cocktail parties, “What does your daddy do?”)
But it isn’t a “modern” American thing, is it? This one goes back to Jamestown and the “work to eat” rule and the Puritans and their beliefs about idle hands being the Devil’s workshop. The contrasts and rejections we still see some people make between American and European economies are related to stereotypes about hard work and reward–and of course they are stereotypes. I don’t actually think people in the United States work any harder than anyone else, we just tie our mythos to our work in a way others don’t always, leading to great national tragedies such as Death of a Salesman.