I want to recommend you consider watching a thing, a thing that I think has one of the most interesting romances on the small screen. Plus if you take me up on this, you’ll get to listen great classical music and consider artistic union-management politics. I have a lot of caveats as you’ll see below, but here’s the trailer for the forthcoming season.
Yes, I’m recommending Mozart in the Jungle, which is available on Amazon Prime. It’s a strange, quirky, and sometimes uneven comedy. As I’m certain my husband would want to interject, it’s not really funny, it gets some of the details wrong, and it traffics in some tropes and stereotypes that grate, but it’s still worth your time because it takes the clash between art and commerce seriously and it builds lovely human moments in along the way.
When it’s good, Mozart in the Jungle is different from everything else on television. And when it’s bad, at least it’s short. (Seriously, the episodes are less than half an hour each. You can pretty easily blow through a season in two nights and the extant three seasons in less than a week.)
Mozart in the Jungle tells the story of a fictional New York City orchestra. In the pilot episode, the board brings in a hot new conductor, roughly modeled on Gustavo Dudamel, to shake things up and in the process, deep schisms in the orchestra grow wider and the characters are forced to clarify their relationships to the institution and to music itself.
To be more granular, more romancelandia folks should take a look because of the show’s central relationship: a slow-burn romance between the new conductor, Rodrigo (Gael Garcia Bernal), and a struggling oboist named Hailey (Lola Kirk).
On paper, Hailey sounds a bit like a Manic Pixie Dream Girl. She’s much younger than the rest of the ensemble, she’s pretty, and she drives Rodrigo’s emotional development/arc. But the character is specifically written and sympathetically portrayed. She has an inner life and her own desires, and so, for me, she transcends the trope.
Most interestingly, at least from my perspective, Hailey struggles with the question of whether she’s talented enough to achieve her dreams and as a result, as the show marches on, she tries to reimagine her life and eventually takes up conducting.
I don’t know what will happen with this storyline, but if anything, I find the show the compelling because of the female characters: Hailey; her roommate, Lizzie; her friend the cellist/union rep, Cynthia; Hailey’s rival, the first chair oboist Betty; and the president of the orchestra board, Gloria. I like the men, but they aren’t as central for me.
Since Hailey’s story is basically the one I keep writing over and over and over again, I’m smitten with the show, and I can’t wait to finally, finally see Hailey and Rodrigo together as a couple. I couldn’t be more excited for the show’s upcoming fourth season, so you should catch up so we can squee together.
That’s my spoiler-free pitch, but I’ll make a longer and more complicated one after the break.
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