A Look Ahead

The other day, I had a conversation with a potential critique partner. She asked, “What kind of books do you want to write?”

I’m embarrassed to admit, I was a little stumped. What I eventually said is that I want to write historical romances that show as much interest and enthusiasm in American history as the best European (read: British) historicals do and that I want to write sexy, youthful contemporaries that capture what I feel like is missing in the market today (e.g., romance between smart, ambitious professionals, etc.). The manuscripts I’ve completed so far are all pretty serious. I’d also like to lighten things up a bit and have a little more fun, while remaining true to myself and my voice.

In the next year, I’d like to finish The Easy Part and revise it. I want to finish the revisions of Brave in Heart and Together is Enough. I want to write a full-length book for the Dauntless Love series plus one other manuscript (either the next book in that series or a sequel to The Easy Part). I want to win NaNoWriMo, either with one of those manuscripts or maybe with a third project. I want to send out query letters for Brave in Heart and The Easy Part. I want to get ready to enter a manuscript in the 2014 Golden Heart. If I haven’t been able to find an agent or a publisher or to final in Golden Heart, I want to prepare to self-publish in mid to late 2014.

Most of all, I want to improve my craft. I’m a better writer now than I was 12 months ago. I want to be a better writer still 12 months from now. This means writing every day, focusing on showing versus telling, keeping my dialogue realistic and light, and becoming a better planner.

What are your 2013 writing goals?

Show Business

For the past two weeks, I have found myself writing the first drafts of scenes entirely in dialogue without any narrative, exposition, description, or even tags to indicate who is speaking. Then I go back and fill in the details in a second pass through the scene.

I think I developed this habit because I was trying to do a better job of show don’t tell, but it’s helped me learn about how I imagine scenes in my head. First, I hear them and then I see them. While it takes several passes, I feel like I get to layer this way, like adding more and more paint to the canvas. It’s made me feel that perhaps the dialogue is the key element for me as a writer. But know that I need to get over my fear of writing narrative and description, because they can be part of active, show-y writing as much as dialogue.

Do you write scenes start to finish in one pass or do you write them over several sittings, focusing on different elements each time?