Women, Depression, and the Obscene

(Prologue: this is the latest entry in my series of late night thoughts about romance fueled by random association and too much graduate school. Please keep in mind that while I may be pretentious and use words like companionate and displaced melancholy, my characters are much healthier and cooler than I am and would never do that.)

In Black Sun the psychoanalytical critic Julia Kristeva analyzes the place where depression and creativity meet: for the depressive, “there is meaning only in despair” (Kristeva 6). She defines depression/melancholy as “a common experience of object loss and of a modification of significant bonds” (Kristeva 10, emphasis in original). Her argument is extremely Freudian: the depressive hates the other because it (the other) is separated from the self; however, they can be symbolically reunited in sex and/or death. But (because this is Freudian) the depressive doesn’t openly mourn or even hate the other. Instead the grief is displaced onto a Thing: “an imagined sun, bright and black at the same time” (Kristeva 13). But since the depressive is displacing his/her grief, the “depressive affect can be interpreted as a defense again” personality destruction (Kristeva 19, emphasis in original). I’m over-simplifying here dramatically, but you get the gist of it.

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